the international celebration of the moving image

eurocine

academy log in

29 april – 1 may 2027 ‱ budapest hungary

networking ‱ education ‱ seminars ‱ careers ‱ diversity ‱ discussion

eurocine symposium

The eurocine symposium is a packed two day programme of seminars, panel discussions, presentations and masterclasses concentrating on the art of the moving image. It includes a series of sessions delivered by the IMAGO Technical Committee. 

visitor tickets

symposium 2026

Our two day schedule of seminars, panel discussions, presentations and masterclasses concentrating on the art of the moving image. It includes a series of sessions delivered by the IMAGO Technical Committee.

Day 1 – Friday 8th May

View Day 2
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10:30 – 11:30

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room f1

Gamma and log coding for D‑cinema

Presented By: Charles Poynton PhD

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10:30 – 11:30

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room f2

Becoming a movie image – Artistic & technical background and craft behind a moving image

Moderator: David Stump, ASC, BVK, AIP, ITC Panelists: Rauno Ronkainen FSC, ITC (Aalto University, Helsinki) – Aleksey Berkovic, ITC – JĂĄnos VecsernyĂ©s, HCA, Professor SZFE – Tim Kang Cinematographer, ASC Asscociate member

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10:30 – 13:30

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room f3

Automotive Lighting

Presented by: Bill Bennett ASC, in association with Nanlux & ARRI Rental

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11:00 – 13:00

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plenary

FILMREFORM2026

Hungarian Film Industry “White Paper” Launch – Leading professional associations present a unified vision and policy proposals to Hungary’s new cultural leadership. Representing the Tisza Party’s cultural policy platform, Ervin Nagy will participate on behalf of the prospective new government. First step together into the Hungarian Film’s future

Moderated by: Alinda Veiszer
Speakers: RĂ©ka Temple (MAPSZ – Magyar AnimĂĄciĂłs Producer SzövetsĂ©g), Julianna Ugrin (MADOKE – Magyar Dokumentumfilmesek EgyesĂŒlete), DĂĄniel DeĂĄk (Magyar FilmfesztivĂĄlok TĂĄrsasĂĄga), Ágnes Kocsis (AHD – Magyar JĂĄtĂ©kfilmrendezƑk EgyesĂŒlete), PĂ©ter Becz (Klip Egylet), Kolozsi LĂĄszlĂł (Filmreform2026)

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11:45 - 13:15

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room f2

Creative Triangle – Relationship between Actors, Directors, Cinematographers in the digital world

Moderator: David Stump ASC BVK AIP ITC Panelists: Philippe Ros, AFC, ITC. Aleksey Berkovic, ITC. Dhanushka Gunathilake SLSC, Cinematographer, Head of Discovery Campus, FWF, Tallinn Film Festival. Cristina Grosan, director. Márk GyƑri, HCA, cinematographer

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12:00 - 15:30

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room f4 & f5

KALEVALA The Movie – a case study

Presented by: Rauno Ronkainen FSC ITC

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Process of making the film from the legend. An example of the challenges and solutions of filming in isolated locations and a description of the cinematographer’s varying roles.

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13:15 - 14:15

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room f1

Ground Your Vision: Use a Visual Ground to Guide Color Decisions – LIVE DEMO

Presented by: Tim Kang Cinematographer, ASC Asscociate member ITC

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13:30 - 14:30

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room f2

Meta Data – Update on Open Track IO, Open Lens IO, CamDkit (The Rosetta Stone), and CLF (the Common LUT Format)

Presented by: David Stump ASC BVK AIP ITC

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13:30 – 14:30

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room f6

Do we need cameras in the AI age? – AI and Automation in Canon Cinema & PTZ Workflows

Presented by: Ferenc Koscsó

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Ferenc KoscsĂł is the founder of a Budapest-based consultancy firm, specializing in cinema, streaming and broadcast system integration, AI-based automation workflows. With extensive expertise in professional imaging technologies, he architects intelligent systems that leverage machine learning for autonomous production environments. With deep technical expertise spanning hardware architecture and software automation layers, Ferenc bridges traditional broadcast engineering with next-generation autonomous production systems. His practical insights help cinematographers and broadcast professionals implement intelligent automation that maintains creative quality while dramatically reducing manual intervention and operational costs
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13:30 - 14:30

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room f7

Perspectives on Wellbeing – Strategies for Healthier Productions Across Production Cultures

Moderator: Viki RĂ©ka Kiss (HU) – Producer & Leadership Coach, Head of Industry at BIFF & Cine-Collegium BudapestPanelists: Sarah McCaffrey (UK) Founder of Solas Mind & Psychotherapist (Adolescence, Baby Reindeer, and many more). Ewa Wikiel (PL) – Writer & Director. Eszter Knopp (HU) – Producer & Wellbeing Facilitator (in training)

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Professionals from a range of roles and countries come together to share strategies for creating healthier film productions, opening a timely discussion within the Hungarian film industry at a pivotal time – powered by Cine-Collegium Budapest.
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13:30 - 14:30

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room f8

Bad Influencer: Crafting Visuals Under Constraints

Presented by: Rick Joaquim, SASC

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In Bad Influencer: Crafting Visuals Under Constraints, cinematographer Rick Joaquim, SASC, will take attendees inside the creative process behind a globally successful Netflix series. The session explores how the Sidus Link Pro App and Sidus One system were used as key creative tools and how working within limitations shaped the project’s visual identity.

Through behind-the-scenes material and selected scene breakdowns, the talk connects lighting control, on-set collaboration, and real-world problem solving to practical cinematography workflows. Attendees will gain insight into how these techniques contributed to the show’s impact, culminating in a Top 5 global ranking on Netflix for its first season.

https://aputure.com/events/bad-influencer-crafting-visuals-under-constraints

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13:45 - 14:45

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room f3

NFI Services – presentation of NFI Studios and NFI Filmlab

Presented by by TamĂĄs KovĂĄcs, Head of NFI Studios and ViktĂłria SovĂĄk, Head of NFI Filmlab

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14:00–14:45

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Hungexpo Studios stand

Hungexpo Studios tour

Discover the versatility of Hungexpo’s filming locations, offering a wide range of adaptable spaces for productions of all kinds. Join our guided tour and explore how these unique environments can support your next project. Meeting point at the Hungexpo Studios stand.

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14:30 - 17:00

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room f1

MINI SUMMIT – Artificial Intelligence: Checking in on AI in 2026 – what can it do for us?

Moderator: Henning RĂ€dlein Director of Creative Production & Workflow Consulting Panelists: Daniele Siragusano Image engineer, FilmLight, ITC. Kommer Kleijn, SBC ITC. Christian Wieberg-Nielsen, FNF, ITC Senior colorist Storyline. David Stump, ASC, BVK, AIP, ITC. Dr. SĂĄndor TakĂł. Roberto Schaefer, ASC, AIC, ITC On line

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14:30 – 15:30

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room f8

Wireless Communication on set

Presented by Micky Graeter, Hollyland

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14:45 - 15:45

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room f2

Future of animation

Moderator: DĂĄniel DeĂĄk Panelists: BĂĄlint Gelley, Tibor BĂĄnĂłczki, Viktor Nagy.

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What does it take to build a sustainable future for animation? From gaps in education and unstable funding to distribution challenges and the impact of AI, the industry faces complex, interconnected issues. One thing is clear: the future of animation remains an open question.
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14:45 – 15:45

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room f6

A discussion on Hungary’s service industry, focusing both on showcasing the country for incoming productions and providing guidance for local crews

Moderator: GĂĄbor PalotĂĄs – CrewCall Panelists: IldikĂł KemĂ©ny – Pioneer Stillking. ViktĂłria PetrĂĄnyi – Proton Cinema. GĂĄbor Rajna – Astra Filmland. Eszter Galambos – HCA

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Why do so many international productions choose Budapest—and what keeps Hungary competitive beyond its famous 30% rebate? This panel explores the country’s strengths in infrastructure, locations, and skilled crews, while also questioning how accessible top positions are for local talent and whether Hungary serves indie and blockbuster projects equally well. It also tackles industry misconceptions and asks the ultimate pitch: why choose Hungary today?
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14:45 - 15:45

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room f7

Illuminating Wellbeing: Mental Health on Set

Presented by: ICLS Moderator: Michael Kelly, ICLS, Co-Chair of the ICLS Education Committee Panelists: Ian Glenister, ICLS, United Kingdom Jakob Ballinger, ICLS, Austria. Dan Walters, ICLS, United Kingdom. Matthias Ganster, ICLS (Assoc), Austria

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The International Cinema Lighting Society (ICLS) is pleased to present “Illuminating Wellbeing: Mental Health on Set,” a roundtable dedicated to exploring mental health challenges and wellbeing strategies for set lighting professionals. The session will be held in a hybrid format at Euro Cine in Budapest, Hungary.

Bringing together industry professionals, this roundtable will examine the realities of mental health and wellbeing on set. From navigating high-pressure environments and complex interpersonal dynamics to addressing communication challenges and fostering respectful collaboration, the discussion will offer practical insights grounded in lived experience. Panelists will share approaches for maintaining personal wellbeing, supporting colleagues, and contributing to safer, more inclusive working environments across the lighting and film production community.

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15:00 - 15:30

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room f3

GYÁR Post Production — One Pipeline: VFX and AI in Commercial Work

Speaker: AndrĂĄs Piroska

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15:30 – 16:00

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astra filmland booth 500

Astra Digital Hub: The Integrated Stage – Why Virtual Production Is Becoming Filmmaking Infrastructure

Speakers: Zoltan Batho, Rafael Zuban, Daniel Benyi

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Virtual Production is no longer experimental, it is becoming a default layer in the filmmaking pipeline. This panel explores how integration across previs, VAD, stage, and post drives cost efficiency and creative quality, using Astra Virtual Studio and Astra Digital Hub as an end-to-end example.
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15:30 – 16:00

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room f4

Hello Humans!

Screening by Wonder Visuals

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15:45 – 16:45

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room f3

Virtual Production for Storytellers: Integrating VP Workflows into Established Filmmaking Practice

Presented by: Sarah Thomas Moffat

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Virtual production is transforming how stories are brought to screen, yet the core language of filmmaking remains the same. This one-hour seminar introduces a story-first approach to virtual production, showing how established skills in directing, cinematography, production design, and producing, translate directly into real-time workflows. Through a clear overview of virtual stages, in-camera VFX (ICVFX), and the integration of physical and digital environments, attendees will gain practical insight into how their existing craft applies within this evolving medium, enabling them to approach virtual production with confidence, clarity, and creative control.

sarah thomas moffatt

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16:00 – 17:30

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room f8

Mastering Light & Colour

Presented by: Aputure – Tim Kang

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In Mastering Light & Colour, Aputure’s Tim Kang will take attendees deeper into the fundamentals of light and color. The seminar explores how understanding the physics of the light spectrum influences how light is perceived by the eye versus the camera, and how this knowledge can be used to make more informed creative decisions on set.

Through practical examples, the session connects spectrum, light, and colour to real-world cinematography workflows.’

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16:00 – 16:30

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room f4

ONE

Screening by Wonder Visuals

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16:00 – 17:00

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room f6

Spanish Cinematography on the Rise: A Pre-Cannes Perspective

Presented by Camera & Light Magazine featuring members of Spanish Society of Cinematographers AEC

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We’ll explore the growing international presence of Spanish cinematography ahead of Cannes, looking at the filmmakers, DoPs, and visual approaches shaping this momentum. The session will also examine how technical choices -formats, tools and workflows- are defining a distinctive and increasingly influential visual language.
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16:00 - 17:00

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room f7

Panel discussions on contemporary Eastern European cinematography

Presented by HCA. Moderator: Teréz Vincze Panelists: Gåbor Szabó, Jånos Vecsernyés, Péter Lehr Juhåsz, Båntó Csaba

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16:15 - 17:15

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room f2

Noise performance of modern cinema cameras

Charles Poynton PhD, ITC

Day 2 – Saturday 9th May

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10:30 – 12:00

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room f1

A New Vision of Film Production Reality: the Future of the Profession

Panelists: Aleksey Berkovic ITC. Philippe Ros AFC ITC. David Stump ASC BVK AIP ITC. Henning RĂ€dlein Director of Creative Production & Workflow Consulting. Judit Romwalter, Managing Director Sparks.

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10:30 – 11:30

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room f2

How to Build a Real Flame

Henrik Moseid Softlight. Rasto Gore (Gaffer)

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10:30 - 11:00

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room f3

Financing solutions for producers coming to and working in Hungary, including local film lending options and accelerated Hungarian rebate payouts.

Moderator: GergƑ BorbĂĄs Panelists: Lajos Nagy, DĂĄniel Kresmery – Strike Price Film Financing Kft

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SPFF founders Daniel Kresmery and Lajos Nagy will outline their financing solutions for producers coming to and working in Hungary, including local film lending options and accelerated Hungarian rebate payouts. The team will also be available at stand 209.
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10:30 – 11:30

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room f6

Eco-friendly energy supply

Presented by: Green Film Shooting Moderator: Birgit Heidsiek – Green Film Shooting Panelists: Julia Tordai, Green Eyes Productions. Gergo Balika, Mid Atlantic Films. Tamas Pal, ionova.energy.

Read More...
A key topic is energy demand and energy supply for film and TV productions. There are different types of mobile energy storage solutions on the market, which can replace the use of a diesel generator. For example, a new “robot” battery is made available in Budapest. The demand of these solutions depends on accessibility, availability, pricing, handling, security, and transportation.
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10:30 – 13:00

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room G7 G8

High Profile Lighting Workshop

Presented by: GergƑ PĂĄlos – HCA

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10:30 – 12:00

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room f7

How can Cinematographers survive in the era of AI?

Panelists: Nic Sadler, Dr Cristina Busch & Jaron Presant

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10:30 - 11:30

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room f8

Grading Case Study – The Brutalist

Presented by: HCA Moderator: Péter Lehr Juhåsz HCA Panelists: Måté Ternyik colorist

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How is a world-class visual language established? Colorist MĂĄtĂ© Ternyik and cinematographer PĂ©ter Lehr JuhĂĄsz (HCA) discuss the creation of the visual identity of The Brutalist. This case study reveals the close collaboration between the colorist and the cinematographer, from early pre-production tests through filming to the final grade, sharing key “behind-the-scenes” secrets that defined the film’s unique atmosphere.
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11:00- 12:00

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room f4 & f5

Photographed by Vilmos Zsigmond screening

Q & A 12:00 – 12:30 Moderator: Judit Romwalter

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11:15 - 11:45

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room f3

Bulgaria: Cash Rebate & Co-Production Programs

Moderator: GergƑ BorbĂĄs Panelists: Vlady Gerasimov – Lions Productions

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Bulgaria: Cash Rebate & Co-Production Programs
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11:45 – 12:30

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room f6

Procurement & Supply Chains

Presented by: Green Film Shooting Moderator: Birgit Heidsiek – Green Film Shooting Panelists: Akos Horvath. Dark Actical.Jaime Razkin. Maya Wallis Echeverri, Picture Zero. Alex Cheesman, Picture Zero. Zsofia Szemeredy Leverage Point.

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Going green means much more than calculating and reducing the carbon footprint of a film production. The ecological impact of a product or service on the environment also needs to be taken into consideration. When it comes to the procurement of items, a deeper look into the supply chain is necessary. Various products and services such as electrical energy, wood, material for costumes and set construction are often presented as sustainable but they don’t live up to their marketing promises. Green claims and obscure labels can be even misleading. For suppliers, film productions, and consultants it is a huge challenge to get the real deal.
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12:00 – 13:00

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room f2

Beyond LUTs: Architecting Robust Looks with Chromogen

Daniele Siragusano, Image engineer, FilmLight, ITC

Read More...
Not all tools are built for the rigours of true look development. While most DoPs, DITs and colourists carry a pocket full of favourite LUTs and regard film emulation as the ultimate aesthetic starting point, these traditional methods are often opaque and inherently limiting. A persistent danger in the craft is that a modification of the look made with standard grading tools rarely generalises across an entire show, resulting in fragile looks that break when confronted with challenging lighting or exposure on set – exactly when there is no time to debug colour transforms.

In this session, Daniele Siragusano, Image Engineer at FilmLight, introduces a modern approach to this problem by leveraging Chromogen and machine learning. Taking existing look intents – drawn from Viewing LUTs, Looks, or manual grades – he demonstrates how to reconstruct them into robust, parametric transforms that are transparent, editable, and scene-referred.

The talk will showcase how to move beyond one-off workarounds toward a principled, human-readable workflow that is as reliable on set as it is in the final grade.

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12:30

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astra filmland booth 500

Infrared Day-for-Night for Cinematographers: Live Outdoor Demonstration + Q&A

Speaker: STEREOGRAPHER / Zsolt Magyari

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Large-scale night exteriors are often a major burden for productions. Traditional approaches require extensive lighting, significant time, and complex logistics, while classic day-for-night techniques can easily look artificial, especially in wide shots and skies.

Our infrared day-for-night process combines a visible-light camera image with a synchronised infrared image in a dual-channel workflow. The infrared channel naturally creates dark skies and night-like contrast, while the visible-light channel preserves colour, texture, and creative flexibility.

The resulting composite produces a surprisingly natural night impression, close to the way we perceive night — while allowing productions to approach large exterior scenes with greater efficiency and creative control.

Astra Filmland booth 500–600–700.
From there, we will walk together to the outdoor demonstration area near the main entrance.

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12:30 – 13:30

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room f8

The Female Gaze: a progressive storytelling tool for Cinematographers

Presented by: Women in Cinematography Moderator: Nic Sadler Panelists: Andac Karabeyoglu, cinematographer. Petra Korner.

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12:45 – 13:15

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room f3

A filmoktatĂĄs Ășj Ăștjai

SESSION IN HUNGARIAN Moderator: GergƑ BorbĂĄs Panelists: AndrĂĄs Salamon – Lumiere Film School

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How did Lumiere Film School Hungary become a defining force in Hungarian film education in just eight years? This session explores its strong industry connections, award-winning faculty, and unique “Coordinated Creative Training” model that brings together multiple film disciplines in a collaborative environment. It also highlights how cutting-edge infrastructure and a vibrant creative community prepare students for real-world careers in today’s film industry.
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13:00–13:45

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Hungexpo Studios stand

Hungexpo Studios tour

Discover the versatility of Hungexpo’s filming locations, offering a wide range of adaptable spaces for productions of all kinds. Join our guided tour and explore how these unique environments can support your next project. Meeting point at the Hungexpo Studios stand.

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13:00 - 14:00

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room f7

It’s Not Where You Take Things From
 The Invisible Journey from Inspiration to Image

Presented by: Flora Fecske

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Cinematography is often discussed in terms of tools and technique but what happens between the reference and the final frame? In this session, we explore the invisible journey from inspiration to image, breaking down the mystery of intuition in lighting and visual storytelling. Through case studies from film history and practical examples from professional practice, the talk explores how references feed visual memory, how preparation and intuition coexist, and how originality lies not in purity, but in transformation.

Flora Fecske
Flora Fecske

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13:00 - 17:00

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room f4

A special screening of Dorka Vermes’ debut feature film “Árni”

Sponsored by: Nanlux Moderator: Jånos Vecsernyés (HCA) Panelists: Péter Lehr Juhåsz (HCA)

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The film won the award for Best Director and Best Cinematographer at both the 44th Hungarian Filmweek and the Critic’s Choice awards, and as a contemporary example of Hungarian independent cinema, the film offers a unique insight into the challenges and opportunities of independently funded eastern European filmmaking.
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13:15 - 14:45

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room f2

KALEVALA The Movie – a case study

Presented by: Rauno Ronkainen FSC ITC

Read More

Process of making the film from the legend. An example of the challenges and solutions of filming in isolated locations and a description of the cinematographer’s varying roles.

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13:15 – 14:15

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room f6

Going Green without Greenwashing

Presented by: Green Film Shooting Panelists: Judit Romwalter, Sparks Camera and Lighting. Akos Horvath, Dark Actical. Laila Lala, Greenigma

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Since green production has become more known in the industry, there are some narratives which are misleading such as “the climate-neutral digital office”, which doesn’t take into consideration the energy and water consumption of data centers. Another example is the buzz word “reycling” which if often misunderstood. A quick deep dive to raise awareness that sustainability is much more than carbon offsetting and planting trees. ‹
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13:30 – 13:50

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room f3

30% cash rebate Romania

Moderator: GergƑ BorbĂĄs Panelists: Adrian Sabau – Family Film Romania

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13:45 – 14:30

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room f1

Expert Talk: The Art of Using Filters – Creating the Cinematic Look

Moderated by: Henning RĂ€dlein, Director of Creative Production & Workflow Consulting Panelists: Claudia Baier, Product Manager Cine – Schneider-Kreuznach. JĂĄnos VecsernyĂ©s, HCA, Professor SZFE. Philippe Ros, AFC, ITC. Aleksey Berkovic, ITC. 

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14:00-14:20

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room f3

Cash rebate in Serbia and Montenegro

Moderator: GergƑ BorbĂĄs Panelists: Doloris Askovic – Executive Producer Film and TV Family Film

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14:15-15:15

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room f6

Restore, Redesign, Reuse

Presented by: Green Film Shooting Panelists: Hanna Angelus – Mid Atlantic Films. Zsuzsanna BorvendĂ©g. Akos Horvath – Dark Actical. Javier Toledo – Peris Costumes Hungary

Read More...
The lifespan of costumes, props, and set decorations usually ends as soon as production wraps. The materials need to be disposed of quickly. Since there is little or no time to find any takers, these precious resources wind up going to waste. In an ideal world, costume and set designers would already consider the continuing life cycle of products at the procurement stage. In the real world, the eco-friendly approach to reuse assets requires practicability, accessibility, and affordability. Producers, art directors, and suppliers for film productions will discuss their experiences.
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14:15 - 15:15

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room f7

The Art of Stunt Work – The Career of Gábor Piroch and the Unsung Heroes of Filmmaking

Moderator: Nikolett Vallyon Panelists: GĂĄbor Piroch

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In this talk, Piroch GĂĄbor, a leading figure in the Hungarian and international film industry, shares key moments from his career and offers insight into the world of stunt work. The audience will learn how dangerous scenes are planned and executed, what happens behind the scenes, and how stunt professionals contribute to creating safe, realistic, and visually impressive action sequences in modern filmmaking
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14:15 – 15:45

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room f8

Leitz Cine Presents the Hot Takes DoP Interview

Presented by: Leitz with Markus Forderer, Andac Karabeyoglu, Flora Fecske & Vika Safrigina

Read More...
How can you know what professional cinematographers really think? Make them answer questions while eating progressively hotter chicken wings until their mouths are on fire and the truth comes spilling out. Join Leitz Cine’s Vika Safrigina as she interviews a panel of DoPs while they eat the scorching hot sauces from the hit series Hot Ones. You’ll laugh. You’ll learn. You may even get to try some sauces afterwards.
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14:30-15:00

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room f3

Incentives Best Practices for Italy & Latin America

Presented by: CRW Moderator: GergƑ BorbĂĄs Panelists: Edoardo Rossi – CWA

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14:45 – 16:15

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room f1

Succeeding as a woman cinematographer in China

Xiangna (Nana) Zheng Moderator: David Stump ASC BVK AIP ITC

Description

Succeeding as a woman cinematographer in China, working with actors and drones, working with drones indoors and on stages, working with wildlife and drones, and working under harsh conditions such as Gobi desert stunts, water and pyrotechnics.

nana zheng

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15:30 – 16:15

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room f2

Academy of Motion Picture Arts and Sciences Launches ACES

Moderator: Henning RĂ€dlein Panelists: Steve Tobenkin – Online. Christian Wieberg-Nielsen, FNF, Senior colorist Storyline 

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16:00-16:30

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room f3

Lens Flares for Creative Storytelling presented by Vantage Vision

Speaker: Speaker: Markus Förderer

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15:45 – 16:15

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room f7

KulturĂĄlis hĂ­d Hollywoodba Bemutatkozik az Adolph Zukor AlapĂ­tvĂĄny

Speaker: Dr. KĂ©ri ZoltĂĄn, SzĂ©kely Csilla a Zukor AlapĂ­tvĂĄny kĂ©pviselƑi

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A Zukor AlapĂ­tvĂĄny egyedĂŒlĂĄllĂł kezdemĂ©nyezĂ©st indĂ­t, amely hidat Ă©pĂ­t a magyar Ă©s a nemzetközi, kĂŒlönösen a hollywoodi filmes kreatĂ­vipar között. Az AlapĂ­tvĂĄny ĂĄltal kidolgozott ĂșjszerƱ stratĂ©giai rendszer olyan filmes szakemberek szĂĄmĂĄra nyit Ășj lehetƑsĂ©geket, akik fontosnak tartjĂĄk a nemzetközi egyĂŒttmƱködĂ©st Ă©s a jövƑt a kulturĂĄlis nyitottsĂĄg Ă©s kreatĂ­v kooperĂĄciĂł jegyĂ©ben kĂ­vĂĄnjĂĄk alakĂ­tani. A Zukor AlapĂ­tvĂĄny Ă©s a Motion Picture and Television Fund egyĂŒttmƱködĂ©sĂ©ben, az Producers Guild of America tĂĄmogatĂĄsĂĄval kerĂŒl megrendezĂ©sre a Zukor 100 GĂĄla 2026. szeptember 20-ĂĄn Los Angelesben, a Paramount Pictures stĂșdiĂłjĂĄban, amely az esemĂ©ny helyszĂ­nĂ©t biztosĂ­tja.
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15:45 – 16:30

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room f6

GREEN filming in Hungary

Presented by: NFI Panelists: Judit Romwalter, Sparks Camera and Lighting

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